A few years ago, my friends and I came up with the label “nixiepunk” for science fiction set in a world where atomic spaceships are navigated using slide rules. Nixiepunk would be analogous to 1930s–50s science fiction as steampunk is to Victorian proto-SF. Whereas classic cyberpunk projected a future, clock-, steam- and nixiepunk reinvent a fetishized past. Choosing the term nixiepunk over “atompunk” emphasizes the other child of the Manhattan Project: computation over raw destructive force. But to live up to the “punk” half of the name, the genre must concern itself with the preterite, with the “Left Behinds of the Great Society.” If Asimov’s The Caves of Steel or the Byron the Bulb excursus in Pynchon’s Gravity’s Rainbow came out today, they’d be nixiepunk.
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